pv grabber vs.c-loops

  • Thread starter Thread starter ekitel
  • Start date Start date
I have just sent emails to a number of parties to try and clarify whether the Grabber and the Soundbite are internally identical or not. I'll let you know. I'm still trying to get a hold of my friend who has been using Cycloops heavily for a few years now so he can test the Grabber and see how the operation compares....
 
quick reply from the Peavey team, though it's more of a sales pitch, they say "essentially the same" but not "exactly the same"


Dear Eric,

Thanks for your interest in the PVDJ Grabber. The PVDJ Grabber is essentially the same technology as the Red Sound soundbite. Peavey has distribution rights for the US. A few things have changed since the red sound C-loop unit that used to be offered in the US. We have added two buttons that make it easier to clear and disengage the BMP engine. These used to be a two step process on the Red Sound unit; now they have a dedicated button. The PVDJ unit also has two four beat loops; the older unit has two, two beat loops. The grabber also gives the DJ the ability to play loops in reverse and hold to play modes. Please check out the PVDJ grabber on http://www.pvdj.com . You can even listen to it play loops.

Sincerely,

The Peavey Web Team

>>> "Eric Kittell" <eric@ekittell.com> 11/08/04 02:52PM >>>

I noticed that your product, the PVDJ Grabber, looks identical to the Redsound Soundbite. I am wondering if they really are identical, or if you believe there is some difference in the internal circuitry.

thanks in advance!
Eric
 
I tried it again and now it's having problems keeping 2 loops synced together, I mean all the sampled loops should always be in time with each other, right? but I have 2 loops playing that keep drifting apart, after about 10 minutes I went to listen to them again and I had to adjust one of them by 2 increments on the jog wheel to make them match up the way they did right after I first sampled them....
 
Huh? You mean two loops on the same machine?

From what I understand, two loops on the machine cannot drift apart, and you cannot correct one with the wheel without correcting them all. wait to hear from redsound, they will let you know what is going on.

If they are different, anyone up for a group buy from the UK?
 
Peasant Nikon said:
Huh? You mean two loops on the same machine?

From what I understand, two loops on the machine cannot drift apart, and you cannot correct one with the wheel without correcting them all.

on the new ones you mute the loop and then press it an hold it and then you can do individual adjustments, this was 1 4 beat loop and a one beat loop sampled from the 4 beat loop, sounded great at first, but like 10-15 l8r they were off by 2 ticks, I then went out for almost an hour, came back and they had drifted off by another tick!
 
Wow, sounds like the new one is more complicated and powerful. Maybe it is a learning curve, maybe not, but I would love to get my hands on one and see. Please keep us all updated on what you find.
Among other things, I enjoy mine because I can just paw a button and pretty much let it go, which makes for a great live machine.
 
reply from Redsound:

Hi,
These two models are identical under the skin so please go ahead and buy the Peavey Grabber.

Cheers

Mark
 
my final analysis is that yes there is some learning curve, you can't expect useful results right out of the box, it does take a few days to get used to it, I had more useful results using it connected to the aux/rec output of my mixer rather than the headphone output, I would recommend this setup to beginners...

I don't like the incremental jog wheel, I would prefer to have more precise control, it was fine most of the time, but there were enough occasions where the particular character of the beats and the exact ammount of correction needed to align them to the record playing were such that one increment would sound just a little too fast while the next lowest one would sound a little too slow, not a major trainwreck but like I said I personally prefer more precision

also I don't like the way there is no button to restart all loops, I understand how advantageous it is to have all loops cycling continuosly, but if you disengage the unit for a few minutes and then try to engage it again the loops will be WAY out of sync with the record you're playing, and it takes a lot of jog wheel adjustment to get them back on, if you could just restart them from 0 at the touch of a button then they would sync up again instantly, or at worst would be one or two increments off which could be corrected in a second

with my unit I definitely experienced drifting between 2 loops which should never happen, this happened twice, each time I'd sample a 4 beat loop and then a 1 beat loop from the same record and then continue mixing records with the bpm engine engaged like in a normal set. On a third trial I got the loops to stay perfectly synced to each other for hours but that time I just left them cycling without continuing to play records so there was no new input to the bpm engine, though I did feedback the output into itself and also manually readjusted the bpm value to see if uneven time stretching was the problem... maybe it's just a defective unit, or maybe it's just a tempermental device, but in any case the sampled loops should never drift apart from each other, not even once

this may sound like all cons, but there are many pros which have been mentioned in all the other reviews, great dj's are getting great results from the cycloops/c-loops so take my analysis for what it's worth, but on the other hand it's still not entirely clear to me if the the Soundbite/Grabber is as good as the original product that these well known dj's are using, the new features are great, but there may be some bugs, or maybe I'm hallucinating, time will tell....
 
Last edited by a moderator:
There are some bugs and strange happenings in the original c-loops as well. You get into habits using the thing to circumvent these issues. Using the aux send as found on the Xone mixers makes this much easier.

The thing gets really confused if there are sudden changes to what it is hearing and mine occasionally goes blank, locks up and keeps doing whatever it was doing for a while to figure it out. Being careful about what you send to the input can help this.

Some beats really cause the detector problems. I still dont know exactly why but putting it into disengage mode holds the bpm and you can adjust the record slightly if needed. It also seems to sync better for the first few seconds on these records. If you disengage it early enough you can sometimes get away without adjusting the record.

Like all things these machines have quirks but the things they can do make it worth dealing with them.
 
The Grabber rocks! For 250$, i think it's the best piece of gear that I bought for a long time.
I understand the various "minor" issues that could happen but after 4 weeks you can go forward with different solution.

Regarding the fact that 2 sync loops can be out of sync after 15-18mn, well I never put a loop for so long time so It could be true but this is not the main usage (I mean leaving loop on for 20mn).
My only complaint would be about phase cancelation and kind of flanger effect that come when you up a loop on the same track.

Regarding the loop adjustement, I just disengage the bpm thing and adjust wih the wheel to be on synch with the master track and then I put it on the master.

I think also that the sampling system is clever and offer a lot of possibility. I don't see any advantage to use it without sampling from the headphone.

The stretching functionality is good and the sound quality is the best that I have experienced on such element (my efx-500 sounds like cheap compare to the Pvdj)

Peace
Johann
 
Red Sound have released a new version now haven't they? Called the Soundbite me thinks:

http://www.htfr.com/more-info/?catno=MR129834

"Product Review:
This piece of dj hardware will simply blow you away. Smaller than a large pastie but twice as tasty, the soundbite is the advanced offspring of redsound's revolutionary dj sampler the cycloops. Combining red sound's acclaimed v2 bpm engine with a new invention 'cyclic sampling' (patent pending!), the soundbite has a 6 sample polyphony, a bpm range of 60 - 230 bpm, 48khz sampling and has a facility which lets it synchronise automatically with any beat that is being fed into it. Weighing less than a kilogramme it is light and easy portable, and does not need a mixer with an effects loop as it plugs straight into your headphone socket! put some more bite into your mixes with the latest gadgetry from red sound."
 
Back
Top